SLR stands for Single-Lens Reflex, a design in which an internal mirror reflects what the camera is “seeing” into the viewfinder. The most popular being SLR and rangefinder. The Camera The Photo /EGKc6kxMGT- Field Mag OctoWhat is the difference between SLR and Rangefinder cameras?Īside from film formats, there are a number of different film camera types, too. 120 is also available at times in 220 rolls, which is the same width film, but twice the length, allowing for more exposures. A keen eye will notice many medium format cameras are named for their formatting, like the Pentax 67 or Fujifilm GA645. The film is the same, regardless of which camera it’s used in-the difference is the size of the resulting frame. 120 medium format film can produce 16, 12, or 10 frames per roll, depending on the camera format used-645, 6圆, and 6x7, respectively. The larger, medium format film is much better for making larger prints, as it features less apparent grain and finer details.ģ5mm film, also known as 135 format (though oddly 135 has nothing to do with the size) features a 24mm x 36mm film size and is available in 24 and 36 exposure rolls, the latter being much more common these days. The surface area of 120 film (again, not 120 mm!) is roughly 4x that of 35mm film, which allows for higher resolution and greater dynamic range (smoother gradients). The main difference between 35mm and 120 film is the size of the actual film. Large format is incredible and also still widely practiced, but it’s a whole other animal, so I won’t get into it in this article. Though a number of other film formats exist, over the years 35mm and 120 (aka medium format film and definitely not 120mm!) have evolved to be the most common and user friendly. What is the difference between 35mm and 120 film? It’s a lesson in patience and managed expectations taught over and over again. From being super selective with your 36 or 16 frames to waiting a few days or weeks to get your film developed. Plus, the pace of shooting film can help slow you down. Part of why I think film continues to gain popularity is that a beginner photographer with a single roll of film, so long as they understand basic principles of exposure and composition, can take a great photo with a basic film SLR or point and shoot camera without needing Photoshop, Lightroom, or even a computer. The best film cameras on the other hand are paired back and easy to use, or at least intuitive. Modern digital cameras are beasts-so powerful that not only is the cost of equipment overwhelming, but the learning curve is too. Or keep reading for more on why film photography is still relevant today as it was in pre-digital times. This best cameras list includes 35mm and medium format film cameras (check out our best point and shoot film cameras list, too) and dives into these iconic cameras, plus others chosen based on decades of shared professional experience between myself and Field Mag community of professional photographers. Yet a handful of film cameras rise above the rest, universally loved, and lusted after. And everyone has an opinion on what makes the best film camera-when one person loves something about a camera, another hates it. It’s true, the world of film cameras is vast and can be intimidating, if not confusing. From the professional shooters to hobbyists and family photographers, film photography is a medium that caters to the young, old, beginner, and expert alike. Analog photography today is alive and well, though the cameras most photographers favor have long been discontinued.
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